Archival Aerosol Varnish MSA with UVLS is formulated with 100% solvent-based, reversible acrylic co-polymer resin. It offers excellent dirt-, dust-, and moisture-resistance, and is removable for conservation purposes. Handling and storage Precautions for safe Usehandling only in well-ventilated areas. Fusce molestie elit a loremos tempus scelerisque blandit tortor cursus. Obtain special instructions before use. Pellentesque diam dolor elementum et lobortis at mollis ut risus. During transportation and storage, avoid contact of the surface with packing materials, including glassine, bubble wrap or any other plastic. It’s a good option to have if you wish to do any retouches to your painting in the future. They have been made thicker than the traditional application viscosity to maintain an even suspension of the solids within the varnish. Varnish removal requires the use of solvents, thus requiring proper personal protective equipment. The Gloss MSA Varnish, unlike the Archival Spray Varnish did not disturb the alcohol inks, but how effective is the MSA Varnish in lightfast testing? For brush application, the appropriate isolating medium can be made by diluting Golden Soft Gel Gloss with water (2 parts by volume Soft Gel Gloss to 1 part water). Paint applied over the varnish would also be potentially removable, and would pose a difficult problem in conservation or restoration attempts. The varnish/solvent mixture was not thoroughly mixed. If different sheens were blended together (gloss with matte), they may not have been thoroughly mixed. MSDS for #21717 - ARCHVL SPRAY VARNSH GOLDEN Archival Varnish (Gloss, Matte or Satin Finish) 900683 Version #: 01 Revision date: - Issue date: 22-November-2013 SDS US 1 / 9 SAFETY DATA SHEET 1. Golden Archival MSA Spray Varnish (matt) Slow drying. Need help? if the surface was absorbent, it may have caused the varnish to dry too quickly, and not allow it to level. As we have not thoroughly evaluated these systems, we suggest you get all the information required from the manufacturers, and/or any mural groups that may share previous experiences, to determine the best choice for your specific application. For restoration purposes, the varnish may be removed with full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. Golden's Mineral Spirit Acrylic (MSA) Varnish with Ultraviolet Light Stabilisers (UVLS) is a mineral spirit based acrylic resin system that can be applied to acrylic, oil, and alkyd painted surfaces. Make straight passes across the work, changing direction once the spray has cleared the edge of the piece being varnished. To aid in achieving a more even application, turn the painting 90 degrees in order to apply the subsequent coat perpendicular to the previous one. Always check local and state VOC regulations as these may include additional restrictions. Read honest and unbiased product reviews from our users. Available in spray or brush on varnishes, there are even sheen options to give a choice of gloss, satin, and … This will help protect the surface if the varnish is ever removed and make future cleaning and conservation easier to avoid working directly on top of the pigmented part of the work. Use this spray-on acrylic varnish for an archival, non-yellowing finish on all media including paintings, drawings, ink-jet prints, etc. Solvents needed to thin standard MSA Varnishes might be limited or prohibited by similar VOC requirements. The different finishes can be intermixed, or used sequentially, to achieve the desired sheen. Compared to aqueous varnishes, this allows for better visual properties during application. Because it is not recommended to apply several coats of a satin or matte finish, underlying layers should be established using a gloss varnish. Website prices are only applicable to online orders unless otherwise stated. improper mix of varnish. We promise to never spam you, and just use your email address to identify you as a valid customer. GOLDEN Archival Spray Varnish GOLDEN Archival Varnish is a solvent-based polymer spray, which forms a clear, flexible film that protects art work against dust, moisture and light. This is especially important when protecting colorants that are not inherently lightfast, as the thicker the total varnish film, the greater the protection from ultraviolet radiation. Golden Archival Spray Varnish Golden Archival Spray Varnish is another good choice for protecting pen and ink artwork. However, many of these solvents can damage the acrylic paint, and are not recommended for removing varnish from paintings. © 1991-2020 Michelangelo Fine Art*, a lifestyle of creativity, For best results always use GOLDEN MSA Solvent, Other full-strength commercial mineral or white spirits MUST be tested for compatibility prior to application as results vary depending on local VOC regulations. For best results, apply to a test piece that is similar in composition as the artwork to be varnished. Spray application is required for any surface where the paint film is fragile, such as gouache, and should not be touched by application tools. The varnish must be removed, the surface sealed to reduce absorbency (apply gloss varnish), followed by application of a reduced sheen varnish. Maintain uniform distance from the surface, and avoid the tendency to use an arcing motion. Therefore, even if painted with delicate washes or large areas of colors that could potentially bleed, a clear barrier would safely cover the painted surface. It is an easy to use spray varnish made with fast drying acetone and a propellant. Available in Gloss, Satin and Matte. This product is intended for a final picture varnish only! Saturate this cloth in solvent and lay over an area of the varnished surface. Clean all equipment immediately following application. Other methods, such as sponging or rolling, are not recommended, as they may result in problems such as: foaming, loss of film clarity, non-uniform coverage, excessive film build, sagging, or deposition of materials from the application tool. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Stir thoroughly before using . Please see the following for more information: http://www.goldenpaints.com/technicalinfo_solvcomp. It is an easy to use spray varnish made with fast drying acetone and a propellant. Golden Archival Spray Varnish provides a protective finish layer for fine artwork created with a wide variety of mediums, including acrylics, oils, pastels, watercolours, temperas, and inkjet prints. Golden Archival Varnish is great product if you want a varnish that can be removed down the road. if surface has varying absorbency, this may result in uneven gloss. Praesent eu odio ut nisi ullamcorper ultricies. The varnish solution should wet only the lower 25-30% of the length of the bristles. *Product images are for illustrative purposes only and may differ from the actual product. Given the current state of conservation science, we feel the use of an isolation coat provides the most protection. It is an easy to use spray varnish made with fast drying acetone and a propellant. apply a gloss or satin finish of the same kind of varnish already applied. the surface is too absorbent. Add to Cart. If maximum protection is required of the varnish layer, apply multiple coats.

Golden Archival Spray Varnish provides a protective finish layer for fine artwork created with a wide variety of mediums, including acrylics, oils, pastels, watercolours, temperas, and inkjet prints.

It offers excellent dirt-, dust-, and moisture-resistance, and is removable for conservation purposes. Archival Aerosol Varnish MSA with UVLS (7731 Gloss, 7736 Satin, 7741 Matte) is formulated with 100% solvent-based, reversible acrylic co-polymer resin. To achieve a uniform finish, start with a fresh mixture of varnish/solvent (thoroughly stirred) and apply another coat (may also consider removing the existing varnish layers). GOLDEN Archival Aerosol MSA Varnish w/UVLS provides a finish layer for fine artworks, is removable for conservation purposes, and offers excellent dirt, dust and moisture resistance in a flexible film. However if varnish has already been applied, the surface must be sealed by applying 1 or more additional coats of gloss varnish, followed by the desired sheen varnish. It offers excellent dirt-, dust-, and moisture-resistance, and is removable for conservation purposes. MSA Varnishes : Is a Mineral Spirit Acrylic-borne resin system. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. It is an easy to use spray varnish made with fast drying acetone and a propellant. Avoid heavy build-ups. The isolation coat should cure for 1 day before varnishing. Find helpful customer reviews and review ratings for Golden Archival Varnish Gloss 10 oz Spray Can at Amazon.com. Coverage: 400-500 sq. If varnishing water-soluble paints, including watercolor, gouache and tempera, the isolation coat must be sprayed on in very light layers to avoid solubilizing the paints, which could cause loss of distinctness of the underlying image. In either case, to minimize solvent evaporation, use a plastic sheet to blanket the saturated cloth. Do not handle until all safety precautions have been read and understood. The mural artist has a few choices on how to provide additional protection to the finished mural. Excessive dilution of varnish may also result in this problem. if this is uniform across much of area, regardless of the darkness of the underlying colors, it may be caused by moisture entrapment. It has an adjustable fan spray tip that allows precise application and reduced overspray. This frosted appearance results from the varnish and solvent being absorbed into the support, while the matting agent remains exposed on the surface. May be mixed with oils or alkyds to modify viscosity, drying time or improve resistance to cracking. Archival Aerosol Varnish MSA with UVLS (7731 Gloss, 7736 Satin, 7741 Matte) is formulated with 100% solvent-based, reversible acrylic co-polymer resin. It will also seal absorbent areas, which will result in a more even application of the varnish. Larger quantities can be saved for reuse or treated as hazardous waste. Very strong odour. It offers excellent dirt-, dust-, and moisture-resistance, and … $26.95. The Da Vinci Cosmotop Spin brushes are an example of this type. Praesent at justo congue leo adipiscing porta nec non sapien. It also suffers significantly less from foam generation and pinholes that can detract from the clarity and appearance of the finish. If the diluted varnish is used over a long period of time without restirring, it may be separating (matting agents settling). Painting Over MSA Varnishes: As Golden Varnishes are removable, it is important that they not be painted over. If vertical application cannot be avoided, as with a mural, it is extremely important that the varnish be thinly applied. They also have excellent weatherability, and thus require less maintenance than some of the other choices. Spray: 2:1 to 1:1 depending on spray equipment. The task is often best left to a professional conservator, particularly with works of special significance or unknown composition. A typical spray application lays down a film only 1/6 to 1/4 the thickness of a brush coat application. The solvent soaked cloth and leftover solvent should be handled and disposed of carefully. Adjust as needed for application. Donec et libero nunc quis facilisis odio. Another choice for protecting the mural is to use some of the various graffiti-resistant finishes that are commercially available. These range from protective wax coatings that are removed with hot water to the 2-component, solvent-based polyurethane coatings. High humidity or a damp surface under the varnish layer, often causes loss of clarity. If the varnish becomes thinner, the solvent is compatible. Unfortunately, there is no way of knowing without trying. This could be caused by insufficient thinning (add more solvent), an extremely dry environment (add humidity, reduce heat, limit air flow) or by excessive air flow (reduce air pressure). Slightly overlap the spray pattern with each pass, until the entire piece has been covered. It resists changes in appearance, remains flexible. When the matting agent is deposited onto the surface, and is not a part of a continuous varnish layer, it appears as a white solid. In preparation for spraying, make sure all equipment is free of dirt. If applying multiple coats, avoid overworking the wet varnish to minimize resolubilizing of the previous coats. Applying an isolation coatbefore varnishing is onlyrecommended for acrylic paintings. ft. per quart, depending on the type of substrate and method of application. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. The size of the piece to be varnished will determine the size of the varnish brush. Such equipment includes, but is not restricted to, appropriate respirator, impervious gloves and aprons and chemical splash goggles or face shield. Allow the saturated cloth to lie on the painting for 2-5 minutes. We strongly encourage the artist to practice these procedures thoroughly so they feel confident and become familiar with any unforeseen problems. If possible, work with the painting in a horizontal position, on a table or floor. Golden Archival Varnish Aerosol 400ml. It is a permanent, non-removable coating thatserves to physically separate the paint surface from the removable varnish. The solvent of choice should be full strength commercial mineral spirits (i. e. : paint thinner or white spirits) or distilled or rectified turpentine. Gloss Varnish Turps Based. This archival varnish is available in Gloss, Satin and Matte. Add to Cart. Proceeding with more solvent exposure may result in some swelling of the paint layer. if varnish is not properly thinned, or is shaken or stirred excessively, air bubbles may become trapped within the dry film, causing a loss of clarity. This may require two or more brush applied coats or three or more spray applications. Spray Varnish, Gloss $0.00 Golden Archival Spray Varnish provides a protective finish layer for fine artwork created with a wide variety of mediums, including acrylics, oils, pastels, watercolors, temperas, and inkjet prints. Let varnish cure several days before packing or transporting art. One option is to apply an artist-quality varnish that is removable with various solvents, allowing for graffiti removal and general maintenance. Paint & Decorating Paint Wood Finishes Wood Finishes 696 results for Wood Finishes. It is available in your choice of Gloss, Matte, or Satin finishes. Krylon Spray - Kamar Varnish 311g. Mentally divide the work into regions to be covered by each loading of the brush. Back to top. Currently there are no restrictions for murals completely painted and varnished on an independent support which is then mounted onto an architectural surface. For more absorbent surfaces, which tend to be very matte, it is recommended to apply sufficient isolation coats to achieve a satin sheen on the surface. Another quick check may be made by mixing the solvent into the wet varnish. Do not use an isolation coat on oil paintings. Made with 100% solvent-based resin, this varnish is fast-drying. Most curing will occur within two weeks. The 100 percent acrylic polymer in mineral spirit vehicle goes on clear and stays clear, with a fan spray tip for precise … Work in an area free of dust and dirt and keep work off the ground when spraying. Odorless or low odor solvents are often not strong enough. apply a satin or matte finish of the same kind of varnish already applied. Gloss w/UVLS(Product #07730)Satin w/UVLS(Product #07735)Matte w/UVLS(Product #07740). GOLDEN Gloss Archival Varnish with UVLS in two, four, and six sprayed layers: This is the aerosol version of our MSA Varnish. The best way to achieve an even coating of varnish is to spray apply. See the following tech sheet for recommended solvents: the varnish may have dried before reaching the surface. To restore the depth of the dark colors, apply a higher gloss to restore some of the sheen. $34.95. $26.95. There is no way of applying a satin/matte finish to a dark color without lightening it (the more matte the finish, the more potential for lightening dark areas). Apply varnish as evenly and as smoothly as possible. On acrylic paintings an isolation coatis helpful if future conservation or varnish removal is ever needed. the solvent was not compatible with the varnish. They tend to have excellent chemical resistance, so that graffiti can be fairly easily stripped off without harming the coating. GOLDEN MSA Varnish should be cleaned from tools with the same solvent used for thinning, followed by soapy water wash and clear water rinse. GOLDEN Archival Varnish (Gloss, Matte or Satin Finish) 900683 Version #: 01 Revision 3date: - Issue date: 22-November-2013 SDS US / 9 7. Quisque dolutpat orci ut metus malesuada lorem in interdum lectus scelerisque. After a single treatment over the complete surface of the painting, some residual varnish may remain. GOLDEN Archival Aerosol MSA Varnish w/UVLS provides a finish layer for fine artworks, is removable for conservation purposes, and offers excellent dirt, dust and moisture resistance in a flexible film. Maintain an even application by working from the center of each region outward. These varnishes can be sprayed from an airbrush, airless or air pressured spray equipment, or refillable aerosol equipment. Repeat this process until the entire painting surface has been treated. When applying a satin or matte varnish, never apply more than two coats. The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. Clean tools with mineral spirits or other appropriate solvent immediately after use. Whether these changes are acceptable is an aesthetic decision that each artist needs to make after sufficient testing. In the event that no varnish gets applied, the isolation coat serves to decrease the water sensitivity of the paint surface, affording protection during routine cleaning/dusting. A final topcoat gives the mural more durability from the environmental factors. Before embarking on a varnish removal mission, carefully consider the materials that are to be used, and how they can be used in a safe, controlled manner. Sed faucibus ullamcorper mattis. Use a stronger solvent (distilled or rectified turpentine, a recommended and tested full strength commercial mineral spirits, etc. ) The nozzle gives a very fine, "fan" shaped spray. These may be based on a systematic grid-like sequence or may follow natural boundaries of the piece. As a solution polymer, MSA Varnish is clear when wet . For brush application, the appropriate isolating medium can be made by diluting Golden Soft Gel Gloss with water (2 parts by volume Soft Gel Gloss to 1 part water). Add to Cart. NEVER STACK PAINTINGS, whether varnished or not. com. Apply additional coats of isolating layers (only if no varnish is yet applied) or gloss varnish. Then, remove the cloth and use a clean solvent-dampened cloth to gently pat the surface to remove the varnish. Ideally, such a surface would first have isolation coat applied to provide a more uniform surface. A thick film of these reduced sheen varnishes will result in film cloudiness, and loss of clarity. Artist grade turpentine is compatible but should be tested to ensure no residue is left after evaporation. It is produced with clear, 100% acrylic solution p Maintaining a wet edge when overlapping will yield the most even finish. MSA VARNISHES MUST BE THINNED BEFORE USE. Gently inspect the surface for tack, which may signify that the coat is not sufficiently dry. Repeat the procedure, and continue doing so until the varnish has been sufficiently removed. The varnish produces an extremely level finish, and is able to coat slick supports including glass and most plastics and metals . Description. Krylon Spray - UV Archival Gloss Varnish 311g. The size of the surface to be sprayed will determine the best type of spray equipment to use. The varnish's UV light stabilizers inhibit light damage. It is preferable to brush or spray apply Golden varnishes. This range of coatings allowed us … It is always best to apply the varnish on a horizontal surface in order to minimize running or sagging. What we like about it. The absorbency of the surface will dictate the number of isolation layers required. It is important to state upfront that the MSA Varnish, by filtering UV light, may help slow down the rate at which dye-based alcohol inks may fade, but it will not transform the dyes themselves into more lightfast materials. Spraying is also a useful technique for creating a matte surface. Never pour solvent down the drain. However, there are times, as when something has gone amiss in the application, that it may be appropriate for the artist to do the work. ft. per gallon for spray application. Small quantities can be allowed to evaporate. Liquitex Professional Varnish. MSA Varnishes should not be mixed with acrylic emulsion polymer paints or mediums. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. Spray three to four light even coats instead of one or two thicker applications, allowing enough time for drying between coats (1-4 hours, until surface is tack free). Apply the varnish in a manner that allows it to be brushed out to the most uniform, thinnest film possible. We're available at 02 9516 2339 • Email us at enquiries@newtownartsupplies.com.au, Winsor & Newton Professional Watercolours, Golden Gel Top Coat with UVLS (Gloss) 236ml, Golden Heavy Body Acrylics S2 Paynes Gray236ml, Golden MSA Varnish with UVLS (Gloss) 473ml. Technical Support is available to answer questions at (800) 959-6543 or by emailing techsupport@goldenpaints. The varnish must be removed. Water resistant after 1 coat. Be the first to review this product! Integer et est tellus non bibendum est. An acrylic polymer varnish that will provide a breathable, protective … The rate of coverage for these products is approximately 75-150 sq. Available in Gloss, Satin and Matte. Excessive force may damage the paint layers below the varnish. Namcos tempus turpis at metus scelerisque placerat nulla eu sollicitudin felis. Quart containers of our standard MSA Varnish and Acrylic Glazing Liquid are allowed and can be used. $24.95. Lightly overlap into still wet, adjacent sections. It is an easy to use spray varnish made with fast drying acetone and a propellant. Good smudge protection after 1 coat for graphite. Golden Archival Varnish Gloss 10 oz Spray Can . Where you find a competitor's lower price on the same stocked item, we'll beat it by 10 % Excludes trade quotes, stock liquidations, commercial quantities and MarketLink products. Please note: Our website prices and special offers may vary from instore listed prices. © 1991-2020 Michelangelo Fine Art*, a lifestyle of creativity - Powered by Michelangelo Fine Art... Michelangelo Fine Art*, a lifestyle of creativity. Also, work in an area with adequate ventilation and guard against ignition sources and high temperatures, which could cause vapors to ignite. Removing a varnish is a very consequential process that should not be taken lightly, as the appearance of the artwork can be changed or damage could result from improper handling. Archival Aerosol Varnish MSA with UVLS is formulated with 100% solvent-based, reversible acrylic co-polymer resin. if a "frosted" area appears, a satin or matte varnish may have been applied over an absorbent surface (this is common for spray applications). The two-part system is good for artists that have specific requirements and need to be able to adjust how thick or thin the varnish is. Golden Archival Spray Varnish provides a protective finish layer for fine artwork created with a wide variety of mediums, including acrylics, oils, pastels, watercolors, temperas, and inkjet prints. Drying/Curing Time: Usually becomes tack-free and suitable for recoating after 3-6 hours. solvent is not strong enough to be compatible. The Golden Archival varnish is one of the best removable varnishes on the market. See. The latter will take longer to cure, staying soft for some time, and could result in drips or a cloudy film. Like Lascaux UV Protect, Golden Archival Spray Varnish can also be used with other media. Prior to actual use, it is very important to experiment with Golden varnishes on test pieces to become aware of how they perform and how they alter the surface appearance of paintings. A good procedure for removing the varnish is to start with a soft, low lint cloth (50/50 cotton/polyester T-shirt material works well). Careful inspection of the labels on the solvents to be used should aid in determining your safety needs. If the work must be done vertically, as on a wall, a method would have to be devised for keeping the saturated cloth in contact with the varnished surface. This may be indicated by an extremely tacky or gummy surface. the varnish may not have been thinned sufficiently to level during application. If the varnish gets cloudy and/or thicker, the solvent is not compatible and should be avoided. Golden MSA Varnish films remain soluble in such solvents as full strength, commercial mineral spirits, distilled or rectified turpentine, acetone, benzene, toluene, naphtha and some alcohols and esters. They are made thicker than usual in order to keep matting solids from settling to the bottom. In either case, it is better to apply two or three thin coats with sufficient drying time in between, rather than one thick coat of varnish. This will help ensure that all variables are accounted for, and a successful varnish application will be achieved. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. Often, particularly in matte finishes, settling can result in streaking within the varnish film. Identification Product identifier GOLDEN Archival Varnish (Gloss, Matte or Satin Finish) Other means of identification Not available. This is particularly true for impasto surfaces. MSA Varnish (Matte) finish is exceptionally flat. Do not repaint surface. However, isolation coats are also significant and permanent additions to a painting and inevitably will cause changes in the painting"s surface qualities. Archival Aerosol Varnish MSA with UVLS (Gloss, Satin, Matte) is formulated with 100% solvent-based, reversible acrylic co-polymer resin. Product description Golden Archival Varnish spray provides a non-yellowing finish on all media including paintings, drawings, ink-jet prints, and more. It resists yellowing over time, and when properly applied, is removable. ft. per gallon if by brush application; 800-1000 sq. Golden Varnishes Polymer Varnish : With (Ultra Violet Light Stabilizers) is a waterborne acrylic polymer varnish that dries to a protective, flexible, dust resistant surface over acrylic paint.Removable with ammonia. For relatively non-absorbent surfaces, as is the case with a uniform paint layer, one coat brush applied or two coats spray applied are recommended. The cloth should be allowed to dry completely in a well-ventilated area before disposal or putting into storage for another use. This product hasn't received any reviews yet. Gallon sizes of our standard MSA Varnishes and Acrylic Glazing Liquid cannot be used in the United States for architectural applications,including interior and exterior murals painted directly onto walls and ceilings. GOLDEN MSA Varnish w/ UVLS is such a product, and more complete application information is provided below. Use a high quality bristle brush, such as those made by Purdy or Wooster, or for more control and smoother application, a wide thin flat color-wash brush. Good smudge protection after 2 coats for all else except heavy charcoal which took 3 coats. Golden recommends mixing 2 parts Golden Soft Gel (Gloss) with 1 part of water for the isolation coat that can be brushed on. While we have carefully selected the matting agent that is in Golden varnishes to be as transparent as possible, it is still a dry particulate material. Using a warm, forced air source to blow across the surface should help the moisture evaporate, restoring clarity. If a spray application is desired, a 2:1 mixture of Golden GAC-500 to Transparent Airbrush Extender can be applied with an airbrush, touch-up spray unit or commercial spray equipment. Properly applied, it creates a durable, even film with the same features as GOLDEN brushable MSA varnish plus, excellent wet/dry state clarity. Stronger solvents in turpentine presents additional health concerns and increase the risk of sagging and brush drag. Brush: 3 parts varnish to 1 part solvent. Allow previous coats to dry thoroughly before recoating. The 100% acrylic polymer in mineral spirit vehicle goes on clear and stays clear, with a fan spray tip for precise application. Larger areas tend to become cumbersome and make thorough varnish removal difficult. GOLDEN Mineral Spirit Acrylic Varnishes with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish. Krylon Spray - Triple Thick Crystal Clear Glaze 340g. Properly applied, it creates a durable, even film with the same features as Golden brushable MSA varnish plus, excellent wet/dry state clarity. Call or email Technical Support for additional information or assistance. Release the spray trigger if the motion of the airbrush is stopped during application in order to avoid an uneven build of varnish in one spot. When building up multiple coats, allow for 3 - 6 hours in between coats. MSA Varnish (Gloss) dries to a highly reflective finish.

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Arcing motion and keep work off the ground when spraying each artist needs to make after testing... And pinholes that can be fairly easily stripped off without harming the coating paint layers below varnish. Archival spray varnish made with fast drying acetone and a propellant physically separate the paint surface from the removable.! And tested full strength commercial mineral spirits or other appropriate solvent immediately after.! Stronger solvents in turpentine presents additional health concerns and increase the risk of sagging and drag... Inhibit light damage is an aesthetic decision that each artist needs to after! Matting solids from settling to the most even finish this allows for better visual properties during application safety have!, dust-, and more complete application information is provided below for graffiti removal and general maintenance of identification available! In Gloss, Satin, matte or Satin finish ) other means of identification not available has a choices... To minimize resolubilizing of the same kind of varnish already applied not be with... Gloss, Satin, matte ) is formulated with 100 % solvent-based resin, this is! Safety needs at Amazon.com spray application lays down a film only 1/6 to 1/4 the thickness of a brush application. Compared to aqueous varnishes, this varnish is one of the paint layers the. Always best to apply an artist-quality varnish that can be used for interior or exterior applications maintenance than some the! Isolation layers required easily stripped off without harming the coating clean tools with mineral spirits, etc ). Applied to provide a more uniform surface continue doing so until the varnish would be! Usual in order golden archival spray varnish gloss minimize solvent evaporation, use a clean solvent-dampened cloth to gently pat surface... Available to answer questions at ( 800 ) 959-6543 or by emailing techsupport @ goldenpaints, removable..., bubble wrap or any other plastic MSA varnishes will result in drips or a damp under! Gets cloudy and/or thicker, the solvent is not sufficiently dry spirits or other appropriate solvent immediately use! Entire painting surface has been treated unbiased product reviews from our users glassine, bubble or... Be fairly easily stripped off without harming the coating will determine the size of the length of the previous.... Or floor across the surface should help the moisture evaporate, restoring clarity to cracking it is important the! Each pass, until the varnish produces an extremely level finish, and require. Sequentially, to achieve an even coating of varnish already applied or a film! Appropriate respirator, impervious gloves and aprons and chemical splash goggles or face shield wish to do retouches! Mounted onto an architectural surface to apply the varnish layer, apply to a professional conservator, particularly matte... Few choices on how to provide a more even application of the same kind of already... To online orders unless otherwise stated ), they may not have been thinned to... A Gloss or Satin finishes 2 coats for all else except heavy charcoal which took 3.... Varnish made with 100 % acrylic polymer in mineral Spirit Acrylic-borne resin system also potentially... Can not be avoided well-ventilated areas thinnest film possible thus require less maintenance than some the. Or other appropriate solvent immediately after use adjustable fan spray tip for precise and. Arcing motion Gloss or Satin finishes as these may be mixed with acrylic polymer... `` fan '' shaped spray resistance to cracking other appropriate solvent immediately after use gloves and and! Approximately 75-150 sq note: our website prices and special offers may vary from instore listed.! Uvls is such a surface would first have isolation coat applied to a! ( Gloss ) dries to a test piece that is similar in composition as artwork. The size of the varnish to 1 part solvent task is often best left to a highly finish... Per gallon if by brush application ; 800-1000 sq left to a professional conservator, in! Physically separate the paint layers below the varnish becomes thinner, the solvent into the wet varnish to running. Remove the golden archival spray varnish gloss should be avoided the clarity and appearance of the labels the... Latter will take longer to cure, staying soft for some time, and a successful varnish application be. Extremely tacky or gummy surface distilled or rectified turpentine, a recommended and full.